"Lataji and Dilip saab are the two national treasures of Hindi cinema... I only did Shakti for Dilip saab" - Raakhee Gulzar

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A flood of memories opens up for the enigmatic Raakhee Gulzar when we speak about the death of the great Dilip Kumar. “When I heard he had finally passed away, I knew he was finally at peace. When I came to this film industry there were two artistes I hero-worshipped Lata Mangeshkar and Dilip Kumar. By the grace of God I got to sing many beautiful melodies of Lataji on screen. With Dilip Saab I had the opportunity to work only once in Ramesh Sippy’s Shakti and I cherish every single moment of the experience.”

Raakheeji ranks Dilip Saab among the greatest actors in the world. “There are actors I watched to learn my craft. Dilip Kumar was one of them. Sidney Poitier, Spencer Tracy, Katherine Hepburn and Audrey Hepburn are my other screen idols. Dilip Saab is my ultimate actor. I’ve lost count of the number of times I’ve seen Ganga Jumna and Mughal-e-Azam. I’ve shown my grandson Samay, Dilip Saab’s dancing in the songs ‘Nain Lad Jaihiyen’ (Ganga Jumna) and ‘Mere Pairon Mein Ghungroo’ (Sungharsh). He tries to copy the steps. Luckily all the old classics of Dilip Saab are shown on satellite television. So generation to come can see his magic on screen.”

She remembers how she was discouraged from doing a mother’s role so early in her career. “I was shooting simultaneously for Shakti and Bemisal. In one I was playing Amitabh’s mother and in the other I was his leading lady. I was told my career as a heroine was over. That I’d get only mother’s roles after Shakti. Even if it was true—and it wasn’t—I didn’t care. To me working with the God of acting was all that mattered. Dilip Saab turned out to be everything I imagined him to be as a co-star: kind considerate generous thoughtful extremely intelligent and knowledgeable. We spent many hours on the sets together. Maze ki baat yeh hai ki jab shooting nahin ho rahi hoti to Dilip Saab filmon ki baat nehin karte. He could speak on every subject. Being with him was like being in a learning institution. I came away a much better actor and a far wiser human being after Shakti because of Dilip Saab.”

Raakheeji remembers Dilip Saab as a massive foodie. “He enjoyed good food. He loved my cooking, though he wasn’t allowed much of it by his wife Sairaji who monitored his diet closely. But still he would partake of the studio food and my cooking. When the Shakti team had their meal Dilip Saab joined us. He would squat with us and say, ‘Bhai mujhe bhi khilao’. And Sairaji’s carefully prepared dabba would return home untouched.”

To give an example of what a big foodie the Thespian was, Rakheeji shares this incident: “It was the first sequence that I shot with Dilip Saab.It was that shot where I fry aloo tikkis for him in the kitchen while he eats them. In the quest for the perfect take, he polished off 10-15 aloo tikkis. But the takes continued. The masala for the tikkis was finished. So I just fried them without masala and gave it to them. He complained, ‘Kye kar rahi ho? Why are you spoiling the tikkis?’

She remembers being whisked away by him in his car to a nearby dhaba during the shooting. “When they told him the dhaba was closed he asked for eggs which he boiled himself. To him the perfect shot and the perfect boiled egg were of equal importance. Not that he took himself seriously all the time. There was a mischievous fun side of him which very few saw. When all his close associates and friends like composer Naushad Saab, lyricist Shakeel Badayuni and actor Johnny Walker passed away he became lonely. His prolonged illness further isolated him.”

Raakheeji’s heart reaches out to Sairaji. “I will visit her soon. This is the time when she needs people around her. Sadly it is also an opportunity for the wrong kind of people to ingratiate themselves to her. Sairaji must guard against opportunists. She must use the free time she now has to give herself the attention she never did.”

Also Read: “Dilip Kumar has been most instrumental in shaping my career” – Lata Mangeshkar